바로가기메뉴

본문 바로가기 주메뉴 바로가기

The Review of Korean Studies

Binding Perceptions: Images of Korea in Japanese Colonial Documentary Photography

The Review of Korean Studies / The Review of Korean Studies, (P)1229-0076; (E)2773-9351
2019, v.22 no.1, pp.233-258
https://doi.org/10.25024/review.2019.22.1.008

  • Downloaded
  • Viewed

Abstract

This paper examines imperial Japanese photography from the late 19th century to the 1930s, with particular focus on the state-sponsored documentary photography of Korea, which served to visually legitimize Japan’s colonial expansion. By engaging with the GGK’s documentary collection, I explore which photographic images were permitted to circulate in the media and, more importantly, how those images exerted power in ways that subjugated the colonized and legitimized the colonial hierarchy. If the colonial photography established and reified its power through irresistible and “transparent” photographic images, this paper’s aim is to strip off that power by opening up the images to multivalence. As such, one of the primary concerns of this paper is to investigate the widely presumed transparency or validity of photography, especially in its use as historical evidence or as historical reference for understanding the colonial past.

keywords
Japanese colonial photography, documentary photography, visual representations of colonial relations, colonial Korea in Japanese photography, visual culture

Reference

1.

Brody, David Eric. 1997. “Fantasy Realized: The Philippines, Orientalism, and Imperialism in Turn-of-the-Century American Visual Culture.” PhD Diss., Boston University.

2.

Burnett, Ron. 1995. Cultures of Vision: Images, Media, and the Imaginary. Bloomington and Indianapolis: University of Indiana Press.

3.

Chaudhary, Zahid R. 2012. Afterimage of Empire: Photography in Nineteenth-Century India. Minneapolis and London: University of Minnesota Press.

4.

Earhart, David C. 2007. Certain Victory: Images of World War II in the Japanese Media. New York: Routledge.

5.

Japanese Photographers’ Association (Nihonshashinka kyokai), ed. 1971. Nihon shashinshi [The History of Japan’s Photography, 1840-1945]. Tokyo: Heibonsha.

6.

Karatani, Kojin. 1993. Origins of Modern Japanese Literature. Durham: Duke University Press.

7.

Kim, Gyewon. 2012. “Tracing the Emperor: Photography, Famous Places, Imperial Progresses in Prewar Japan.” Representations 120 (1): 115-50.

8.

Kobayashi, Hideo. 2004. Mantetsu: Chi no Shudan no Tanjo to Shi 만철: 일본제국의 싱크탱크 [The Birth and Death of Collective Knowledge]. Translated by Sungmo Im. Seoul: Sancheoreom.

9.

Koji, Taki. 2002. Tenno no shōzō 天皇の肖像 [The Portrait of the Emperor]. Tokyo: Iwanami gendai bunko.

10.

Landau, Paul S., and Deborah D. Kaspin, eds. 2002. Images and Empires: Visuality in Colonial and Postcolonial Africa. Berkeley and Los Angeles:University of California Press.

11.

Lee, Helen J. S. 2007. “Voices of the ‘Colonists,’ Voices of the ‘Immigrants’: ‘Korea’ in Japan’s Early Colonial Travel Narratives and Guides, 1894-1914.” Japanese Literature and Language 41 (1): 1-36.

12.

Lee, Helen J. S. 2008. “Writing Colonial Relations of Everyday Life in Senryū.” Positions: East Asia Cultures Critique 16 (3): 601-28.

13.

Mason, Michele M. 2012. Dominant Narratives of Colonial Hokkaido and Imperial Japan: Envisioning the Periphery and Modern Nation-State. New York: Palgrave.

14.

Mitchell, W. J. T. 1994. Picture Theory. Chicago: University of Chicago Press.

15.

Moran, Tom. 1974. The Photo Essay: Paul Fusco and Will McBride. Los Angeles: Alaskog.

16.

Nagano, Shigeichi, Iizawa Kotaro, and Kinoshita Naoyuki, eds. 1999. Nihon shashinshi gaisetsu [The History of Japanese Photography]. Tokyo: Iwanami shoten.

17.

Nikkoru kurabu, ed. 1980. Hokkaidokaitaku shashinshi Kirokunogenten [Photographic History of Hokkaido Development: The Origin of Records]. Tokyo: Nikkoru kurabu.

18.

Rousmaniere, Nicole Coolidge, and Mikiko Hirayama, eds. 2005. Reflecting Truth: Japanese Photography in the Nineteenth Century. Leiden: Hotei Publishing.

19.

Sato, Kenji. 1994. Fūkei no seisan fūkei no kaihō 風景の生産風景の開放 [The Production of Landscape, the Liberation of Landscape]. Tokyo: Kōdansha.

20.

Shin, Gi-wook, and Michael Robinson, eds. 1999. Colonial Modernity in Korea. Boston: Harvard University Press.

21.

Solomon-Godeau, Abigail. 1997. Photography at the Dock: Essays on Photographic History, Institutions, and Practice. Minneapolis: University of Minnesota.

22.

Sontag, Susan. 1977. On Photography. New York: The Noonday Press.

23.

Sun, Yeol. 2003. “Iljesidae haksuljosa sajin akaibeu e gwanhan yeongu” 일제시대 학술조사 사진 아카이브에 관한 연구 [A Study of Photographic Archive under Japanese Colonialism]. MA Diss., Seoul National University.

24.

Yi, Kyeongmin. 2010. Jeguk ui lenjeu 제국의 렌즈 [The Imperial Lens]. Seoul: Sanchaekcha.

25.

Young, Louise. 1994. Japan’s Total Empire: Manchuria and the Culture of Wartime Imperialism. Berkeley and Los Angeles: University of California Press.

The Review of Korean Studies